{"id":4053,"date":"2021-03-09T17:04:25","date_gmt":"2021-03-09T17:04:25","guid":{"rendered":"https:\/\/sergionistico.com\/?p=4053"},"modified":"2024-01-17T16:04:04","modified_gmt":"2024-01-17T16:04:04","slug":"slow-design-the-search-for-slowness-and-the-risk-of-immobility","status":"publish","type":"post","link":"https:\/\/sergionistico.com\/en\/slow-design-the-search-for-slowness-and-the-risk-of-immobility\/","title":{"rendered":"\u201cSlow design\u201d: the search for slowness and the risk of immobility"},"content":{"rendered":"

Security measures against the pandemic have changed our habits and this has also affected interior design. They have forced many people to spend much more time at home and value spaces and comforts\u00a0 (a garden, a terrace, a patio, natural light) more than they have done before. A situation that undoubtedly had consequences in the design, reform and purchase choices.<\/p>\n

But we already told you about this\u00a0a few articles ago<\/a>. However, we didn\u2019t tell you that someone has given this trend a name or, rather, a context.
\nWe are talking about \u201cslow design\u201d.<\/p>\n

Giving a name to everything, cataloging, classifying, labeling and above all de-structuring everything is a contemporary vice. But in this case the definition is not \u201cdeconstructive\u201d at all.
\nOn the contrary, it is very \u201cholistic\u201d. It is enough to read the\u00a0article written by the interior designer Susanna Cots<\/a>\u00a0published by Houzz to realize this.<\/p>\n

What does \u201cslow design\u201d mean?<\/h4>\n

Strictu sensu, the concept of \u201cslow design\u201d means little or nothing. <\/span>It is not exactly a style. <\/span>Cots in fact points out: \u201cThe slow movement is applicable to all aspects of life: slow life, slow design, slow education, slow work, slow cities.\u201d<\/span><\/p>\n

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Therefore, there is nothing wrong with talking about \u201cslow design\u201d, as long as you don\u2019t believe you can go that far. Focusing on the particular is a risk that we highlighted\u00a0a few weeks ago.<\/a><\/p>\n

In many cases, as in this, what is relevant is the general framework, the vision of the world. Because this is what we are really talking about: the \u201cslow\u201d philosophy.<\/p>\n

It is a philosophy that, at the moment, does not tell us much about \u201chow\u201d to design: it tries to explain the \u201cwhat\u201d but more than anything it reveals the \u201cwhy\u201d. Its visible influence on the style of drawing is going to materialize perhaps only in the long term. For now there are no specific aesthetic standards.<\/p>\n

We can say that it is a design \u201cespecially careful with the environment in the choice of materials and the manufacturing process\u201d, which also aims to resolve the issue of \u201cnoise pollution or visual fatigue in the city and favoring open spaces, bright and little overloaded \u201c.<\/p>\n

A design that prefers \u201clocal to global design, emphasizing the recovery of vernacular knowledge and local crafts in an attempt to connect with cultural roots\u201d. A design that imagines spaces that \u201cencourage interaction, dialogue, teamwork and good times with the family. Spaces that connect with each other, paying special attention to common areas\u201d and that \u201clead to turning off the television, read a book, chat or simply reflect. A space where time stands still \u201c.<\/p>\n

Instead, it is a philosophy in the process of affirmation, with a thousand potential stylistic expressions and, obviously, not devoid of ideal continuity with the past. We think of the minimalist philosophy, for example.<\/p>\n

Is there a relationship between \u201cslow design\u201d and minimal design?<\/h4>\n

At the \u201csociological\u201d level, the interesting point is that the pandemic seems just one more occasion for the affirmation of the \u201cslow\u201d philosophy, which actually precedes it.
\n\u201cFor many years\u201d, Cots always explains, \u201cI have been a vegetarian and a consumer of organic products. Some time ago I discovered the slow food movement, which was born in Italy, at a time when it began to gain followers in our country\u201d.<\/p>\n

The pandemic and the confinement, in fact, did not create the \u201cslow\u201d culture, but they seem to have contributed to its affirmation as mass culture. The minimal idea indeed seems the necessary stylistic premise to arrive at \u201cslow design\u201d and, therefore, a good starting point.<\/p>\n

Philosophically, we are precisely in the evolution of minimalism, which reminded us of the importance of the essential, eliminating the superfluous and excess from furniture and decoration.
\nThe \u201cslow\u201d design is the next and consequent step: \u201cSlowing down the pace in some areas of your life means living with more awareness and better. Yes, slower equals more quality of life.\u201d
\nWithout a doubt, it is a reaction to the criticalities of modernism, as well as minimalism (\u201cless is more\u201d). And, as for minimalism, it is essential to distinguish between form and substance to capture its true meaning.<\/p>\n

Modernity that eliminates the superfluous in the name of standardization is \u201cminimal\u201d only in form and quantity. Substantially it is not. The small, yet efficient and functional apartment within the crowded building of a crowded city is quantitatively minimal. Substantially it is not. Minimalism is meditation but not solitude, reduction aimed at the essential and not saving, elimination of the superfluous but not of beauty or attention to detail.<\/p>\n

In the case of slow design, the concept of slowness is at stake. Slowness finally ceases to represent a lack of productivity and is once again the ideal of reflection and depth.<\/p>\n

\u201cHere the word slowness\u201d, explains Cots, \u201closes its pejorative meaning. In our study we understand slowness as an important stop to feel, savor, delight, appreciate the simplest emotions and enjoy the here and now\u201d.<\/p>\n

A restorative design: be careful not to end up immobility<\/h4>\n

However, slow is always a relative definition: its definition depends on the standard speed. Therefore, slowing down is necessarily a reaction to going too fast. It is not surprising that Cots affirms: the \u201cslow design\u201d is \u201ca restorative design, that regenerates the damaged environment. That achieves an efficient recycling\u201d.<\/p>\n

For in order to make the necessary distinctions between form and substance, it is important in this case to underline one thing: slowness is desirable, immobility is not. We do not like the immobility of a life of only contemplation, of only idleness, devoid of action, like the whole virtual and remote life that is prospected, of a life that is reduced to a sofa, your house and a PC as well as, recently , many have been forced to do. We do not want all this exaltation of slowness to be only the justificationist weapon of those who seek to develop the economy in this sense.<\/p>\n

Because, in this case, only a few will be able to really enjoy the authentic slowness, as well as the passage in confinement. For the others it will be immobility.<\/p>\n

The rediscovery of slowness as a value is a beautiful achievement, but it must be defended from immobility. Let\u2019s be minimal but not skeptical, slow but not still. Let\u2019s not forget that our home is our refuge, but it cannot be our world.<\/p>\n

Emmanuel Raffaele Maraziti<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Security measures against the pandemic have changed our habits and this has also affected interior design. They have forced many people to spend much more time at home and value spaces and comforts\u00a0 (a garden, a terrace, a patio, natural light) more than they have done before. A situation that undoubtedly had consequences in the […]<\/p>\n","protected":false},"author":5,"featured_media":3980,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[42],"tags":[],"class_list":["post-4053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en"],"yoast_head":"\n\u201cSlow design\u201d: the search for slowness and the risk of immobility | Sergio Nistic\u00f2 Interior Design<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergionistico.com\/en\/slow-design-the-search-for-slowness-and-the-risk-of-immobility\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cSlow design\u201d: the search for slowness and the risk of immobility | Sergio Nistic\u00f2 Interior Design\" \/>\n<meta property=\"og:description\" content=\"Security measures against the pandemic have changed our habits and this has also affected interior design. 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